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The WyzGuy Radio Show with Jason Michael -Helping Today's Glass Artist Think Like an Artistic Entrepreneur

The WyzGuy Radio Show is dedicated to Educating and Inspiring through conversations with todays top-talents in the world of glass. Along with Artists, Host Jason Michael shares conversations with experts in areas pertaining to law, health, and business in hopes to bring light to areas of concern. Whether its heavy metal toxins, paying taxes, or how to properly set up a glass studio, we have a ton of fun in store for you.
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The WyzGuy Radio Show with Jason Michael -Helping Today's Glass Artist Think Like an Artistic Entrepreneur
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Now displaying: 2018
Jun 12, 2018
Episode 194: Geremiah Benge- Finding diversity to be the key to success
 
Bio: I'm Geremiah Benge of Benge Bang Glass. I'm 23, born in Houston, Tx and raised in the far out skirts in a town called Livingston. I've always had this drawing passion for all art, whether it be pencil drawings, music, or most currently, lampworking. I was enticed into the flame a little over a year ago by a good friend, and have been on this whirlwind journey ever since. As a dwarf amongst giants, I feel I am making my own way and forging friendships in the glass community that I wouldn't be able to do without putting myself out there and being knowledgeable about my trades. Whether my inspiration be this podcast, nature, or even dungeons and dragons, I isolate it, and execute what's in my thoughts. A quote I live by is from the football player Emmitt Smith. "All men are created equal, some work harder in preseason."
 
Go Follow Geremiah on Instagram:
https://www.instagram.com/bengebangglass
 
find Geremiah's epsiode page on
www.wyzguymedia.com/194

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Jun 4, 2018

 

Episode 193: Kevin Beecher-East Coast MELT

   
     
Kevin was born In 1976 and has been blowing glass for close to 21 years. He learned the basics of lampworking in  Arcata, California before returning to Pennsylvania and continued to learn this art on his own.  FInd out more about Kevin in his interview.

find Kevin on Instagram @kevinbeecherglass

Follow the entire MELT team while you're at it:
Paul Katherman @paullietwofingers
Josh Mazet @cone12flat
Todd Dunlap @tdunlapglass
Shawn Gold @count.de.monet

East Coast Melt

     Come spend five days at Independent Lake Camp in Northeastern PA on September 10th - 14th, 2018, surrounded with like minded people. Not only will you get to see some of the best glassblowing in the country, but you'll also have access to as much torch time as you can handle. Learn from established artists through glass demonstrations and informative seminars. Come with a group and stay in one of the summer camp style cabins on site--complete with full baths and electricity. When you wake up, our kitchen staff will be prepared to provide you with three square meals a day, as well as late-night snacks. We will keep you fed, as you will need your energy to handle the many activities available at this camp. Including, but not limited to, a skate park, BMX track, paddle boats, canoeing and kayaking. To cap off each night, enjoy DJs throughout the week in the torch tent area. Be prepared for a couple great bands on Friday night and a spectacular fireworks display. Think of it as a summer camp for glass blowers. It's going to be the experience of a lifetime.

for more info about MELT goto www.eastcoastmelt.com

 

May 28, 2018
     Episode 192:Rex Estrada- The love of science and exploration from the perspective of a glass artist


     Rex Estrada is co-owner of Blissful Glass with his wife Alaina who is a talented artist on her own and helps keeping the business running smoothly.

     Rex started blowing glass at the age of 14 as a hobby and has been in love with it ever since. His hobbies outside of glass are gardening and inventing.  He enjoys researching and discovering new things everyday. Whether it is learning how to take care of his garden like making his own soil and saving seeds or listening to the newest information being released on his favorite podcasts. Rex has many passions that cover many spectrum's of science and wants to help influence positive change in the world.
 
Find Rex on Instagram @blissfulglass
 
links to topics discussed in our chat
 
 

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Apr 25, 2018
Episode 191: Steven Geller-From Weekend Warrior to Full-time Artist 
 
This weeks episode was a ton of fun to record. Steven and I had a great chat about his early beginnings as a weekend warrior glass blower to where he is now as a full-time artist.  He finds that his favorite items to make are customs made for a specific person.  He shares how he was able to go from working a full-time job as a delivery driver to behind the torch full-time as well as some fun ideas on marketing and selling your glass.   
 
You can find Steven on Instagram @stellerglass 
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My name is Steven Geller (Steller) born and raised in stockton California.  I was introduced to the flame at the end of 2002 at the age of 18 and began my own journey in March of 2003 at 19. I learned sorta cave Man style with a lot of trial and error but came to be what I am now because of the friends I have who don’t accept “good enough”. Starting a family young I was a weekend warrior glass blower working all week and getting only my free time which was scarce to blow glass.  It was my one true hobby until 2015 when I was convinced by some friends to try a trade show and with no time to work I managed to make enough glass to convince my self I could make a living. I’ve since won 2nd place in the 2017 glassblowers challenge which is a team event at acala glass studio in Oakland ca then the following year won 1st is the 2018 glassblowers challenge.  I’ve participated in a couple Boro derby’s now, the most recent of which being at the glass Vegas event where I managed to get recognized with 2 award for my derby car. My education is actually very limited.  Until sitting in a salt lesson at east coast Melt 2 years ago I’ve never really experienced a class setting in the art but over the past few years getting out more and collaborating with more and more artists I have had the opportunity to ask questions and learn so much in a short period of time...
 
 
 Yes 
Apr 10, 2018
Episode 190: Lacey (Laceface) St. George..."Elements of a Warrior"

     Lacey (LaceFace) St. George was born in Grants Pass, Oregon. She was exposed to the blossoming art form of glass blowing and pipe making from an early age. Determined from the beginning to create beauty, Lacey fell in love with the color, fluidity, and form of glass the moment she began working on the torch in 2004.
     
     Lacey spent the next several years concentrating on her growing skills as a glass artist while simultaneously putting herself through school. After graduating with an associate degree in the Arts, she become heavily involved in the expanding glass pipe art movement. In 2009, Lacey began attending several trade shows and flame off competitions around the country, her dedication was rewarded by her receiving several of  the pipe industries highest honor’s and awards of achievements. Wishing to evolve her artistry even further, Lacey St. George found that collaborations with her friends and peers helped her to accomplish creative and innovative artworks and also enable her to think and work outside of her comfort zone. Now Lacey creates with many of the industries most renowned artists, motivated as a community leader to push the limitations of glass art. Her modern masterpieces of glass art exemplify the power and spirit of this amazing woman and also speak volumes for her determination to succeed as a leading woman in the male dominated glass art industry.  
 
The medium of glass is my doctrine, teaching me the ways of patience, discipline, and determination.  Daily I praise the fluid like forms while dancing with the flames, willing them to speak, and to show me the light.           -Lacey St. George

HER EPISODE PAGE CAN BE FOUND AT WWW.WYZGUYMEDIA.COM/190
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Apr 1, 2018

Episode 189- Pedro Grime..Accelerated Learning Through Necessity

     "Here is a brief summary and why you may or may not like my pipes. I was born and raised in Los Angeles California before moving and settling to Colorado Springs with my wife. My wife has four children, myself included. I became obsessed with glass the moment I tried melting boro in December of 2013. Since starting I have had the honor of placing at several Champs glass games events as well as a Firepower Production event. I enjoy the Neverending lessons that glass has to offer as they are the only thing that seems the quell the voices raging inside."-Pedro

 

WWW.WYZGUYMEDIA.COM/189

 

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Mar 16, 2018
 Episode 188 Terry Sharp... Grand Champion of the First Annual “Tournament of Fire” 
 
I started blowing glass in 1997 in Eugene, Oregon making bowl slides for JBD with my friends Carter Masters and Sunny. In 1999 I relocated to Indianapolis and made various production pipes for local shops. 2008 I took a class with Marcel and Jason Lee they catapulted my skills and gave me the confidence to make more complex pieces. After that I continued to make production and art pieces and take classes with other great artists for several years. 2014 I moved to Denver and with the help of social media continued to spread my works all across the world.  -Terry Sharp
 
you can find Terry's work on instagram @terrysharp
 
help support the podcast by becoming a "WyzAss" on our Patreon page for as little as $1.00 a month
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contact me for any questions wyzguymedia@gmail.com
 
 
 
The Flow Magazine has extended their deadline for  the "Marble and Paperweight" Summer Edition till March 30 for submissions. 
Submitted photos must be high res images (at least 300 dpi) 
Fill out the attached form below or put your email and contact info in an email with your image ans send directly to Maureen's email-
maureen@glasspatterns.com
 
 
 
Summer 2018: Marbles and Paperweights
This issue is dedicated to the orb, marbles, and paperweights. Any style of marble or paperweight at any skill level
(beginner, intermediate, and advanced) submission will be considered for publication. Gallery entries, general
interest stories, plus health, safety or technical articles, as well as tutorials are welcomed. 
Deadline: March 30, 2018 Magazine Release Date: June 15, 2018
 
submission form link
https://www.dropbox.com/s/l2ffw6iuai3nlo9/The%20Flow%20Submission%20Form.pdf?dl=0
 
 
 
Mar 8, 2018

Episode 187- Eric Goldschmidt..Don’t limit yourself by being a one-trick-pony

Erics bio :
Working as a candle maker for a few years, Eric’s interest in molten media was born in 1993. After three years of working with wax, flameworking found him. In 1996, Eric’s roommate set up a torch in their garage and Eric became captivated by the processes and possibilities of flameworking. Throughout the past 21 years he has devoted his efforts to practicing and developing the techniques of several well-known glass instructors, while studying and assisting with many of the World’s most talented glass artists. These experiences have given him a vast array of techniques from which to draw. He combines this wealth of knowledge with his own interests in the subtle energies of the natural world, delicate forms, and the capture of raw human emotions to create original new works.
Eric held the position of Resident Flameworker at The Studio of The Corning Museum of Glass for six years where he was able to share his knowledge and passion for glass with thousands of students and museum visitors. He then worked with Arribas Brothers Company where he designed, developed, and produced works at Walt Disney World. He returned to The Corning Museum of Glass in the spring of 2008 to accept a position as Team Leader of the Flameworkers, and he is currently the Supervisor of Properties of Glass Programs. This position allows him to develop demonstrations that help to educate, inspire, and spread the word of the very fascinating glass World to hundreds of thousands of visitors per year. Of course, Eric will always be dedicated to the expression of his own voice through his favorite medium of glass. He continues to exhibit his work and teach both in the United States and abroad.


Contact @ericsglass on Instagram

Don’t forget to leave us a review on which ever podcast app your listening to whether ITunes , Stitcher or another platform.

If you’d like to become a “WyzAss” and help support the show you can do so by going to our Patreon page and do so for as little as $1.00 a month. All proceeds go directly back into the show and help offset some of the costs associated with producing this podcast. Www.patreon.com/wyzguyradio

Episode Webpage. Www.wyzguymedia.com/187

You can find me on Instagram @jmichaelglass @wyzguy_radio @myfunctionals

Contact. Info@wyzguymedia.com

Feb 16, 2018

Episode 186- (best of) Paul Stephan aka Micro

 

Paul has been a full time glass artist for almost 2 decades. He discuses his difficulties during his first year and how he almost gave up on his glass career. After pushing through his rough spot he found his groove and is now beginning his 8th year in his MARIO series. We discuss his he begins the process of designing each Milli image and how his wife is an intricate part of his success when it comes to the design and layout of each series. We also dive into how to get into the flow state, what the flow state is and how specific parts of the flow state affects us when it comes to being in the “zone” There's a chart post in the show notes showing the areas or creativity and where the flow state happens

Flow State Chart

Paul also shares his passion for racing and how he started that adrenaline filled journey as well as all his answers in the crashing the kiln round.

This episode also features the music of one of my favorite local bands in St .Petersburg , Fl.....
Badda Skat. This track is titled "False Clouds". Stay tuned for the full track at for the end of the episode.


www.baddaskat.com/highgradereggae

Thanks as always for tuning in. Love you and hope you enjoy this conversation with Paul Stephan aka Micro

Don’t forget to leave us a review on which ever podcast app your listening to and if you’d like to become a “WyzAss” and help support the show you can do so by going to our Patreon page and do so for as little as $1.00 a month. All proceeds go directly back into the show and help offset some of the costs associated with producing this podcast   Www.patreon.com/wyzguyradio

Thanks for
Listening and hope you enjoy this interview with Paul Stephan aka. Micro.

Feb 3, 2018

Episode 185- Tax talk. Why you should Treat your business like a restaurant

 

If you’d like to financially contribute to the show and become a WyzAss all you have to do is follow the patreon link and for as little as a dollar a month you can join an exclusive group that are helping grow the show. All proceeds go directly back into the shows budget which will help make the show even better with upgraded equipment, off set current expenses and future travel to trade shows and events that I’ll be able to cover to give you a first person perspective of the ins and outs of the current trade show scene. Soon there will be an exclusive bonus for any WyzAss that becomes a contributor if 5.00 a month or more.
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For merchants cost accounting is rather useful. The idea behind it is simple: buy cheap, sell expensive. To maximize your profits, you should use your limited resources (money) for activities that give you the best return on your investment. Manufacturing on the other hand, was usually less concerned with book keeping. With the different materials coming in and products going out, tools needed, and time used, it would have been difficult to keep track of it all.
Historically manufacturers probably used more of a gut-feeling approach and experience to set their prices. Besides, their goal was often not profit maximization but merely to have a good life. As Daniel Defoe observed: “There’s nothing more frequent, than for an Englishman to work till he has got his pocket full of money, and then go and be […] drunk, till, tis all gone.”

When manufacturing products each item has a specific COG(cost of goods) required to complete. This incudes the raw material to create,(direct cost), plus the gases, and labor(indirect costs)

Part of this issue is whether or not we should determine the waste left after the manufacturing process of said item. Whether you pull points or attach blowpipes, there will be material that is scrap and considered waste. In some fields scrap is considered reusable so for this chat I will be referring to the leftovers as waste which is unable to be reused and therefor sold. To use the food industry for a reference they have plenty of waste associated with the manufacturing of meals.

For example: If broccoli is on the menu, then a bulk order of broccoli is needed. Say each head of broccoli weighs 1lb and comes in a 10lb box that cost $20.00. . This would mean the cost of each unit of broccoli costs $2.00. When the broccoli is being prepped to cook a portion of the broccoli is removed and would be considered waste. Lets say 50% is how much of the broccoli is removed which would mean 50% is left. This would bring the true cost of each unit to $4.00 per head of broccoli since technically we just removed 50% of the weight but it still cost us $20.00 total for the initial 10lb box.

We can use the same mathematical concept when it comes to calculating cost of goods manufactured. Say for example initial material weighed 2lb.to create a- 3" wrap and rake spoon with .50 to make in direct cost (raw material)and an additional indirect cost(overhead) of .50. This unit would initially cost $1.00 to manufacture. After the item is made you are left with a little bit of waste which for the sake of this example lets call it 1/2lb. of material leaving the final product weighing 1.5lbs

When we estimated our baseline costs for this item we figured a 3"w/r spoon weighs 2lbs (chunky spoon) which costs $1.00 to make, so if we do the math and break down the cost, we can determine


SPOOON= initial cost to manufacture $1.00
(raw material + overhead)
Total weight = 2 lbs- 1/2 lb waste leftover after manufacturing waste = $.50

now if you work for a week and manufacture 100- 3'wrap and rakes you will have an estimated amount of waste at $25.00 multiply that by 12- months and you'll see that theres approx $300.00 in waste. this is one way to look at it.. 100(3”w/r)/week=$25.00 in waste

the other perspective is to increase the direct cost to manufacture each item by adding the waste back into the peice. We figured to waste cost $.50 and the actual item when complete weighs 1.5lbs. so you can then add the $.50 back into the cost to manufacture the item which would mean the 1.5lbs of material costs $1.00.

in the end talk to your accountant and ask them what they recomend you do to keep track of this info. whether A- you seperate the true cost to manufacture from waste. or B. you ignore the waste but increase the cost of goods by the amount of the value you predetermined for the item manufactured.

Either way before you begin adding new items to your catalog, estimate the direct cost(raw material) to manufacture as well as Overhead(indirect cost) when figuring out costs per item made. this will not only give you a baseline cost of your new products it will also give you a base line number to price your item to be sold at both wholesale and retail.


reference http://www.accountingcoach.com/

Manufacturing cost is the sum of costs of all resources consumed in the process of making a product. The manufacturing cost is classified into three categories: direct materials cost, direct labor cost and manufacturing overhead.

What are manufacturing costs?

Manufacturing costs are the costs necessary to convert raw materials into products. All manufacturing costs must be attached to the units produced for external financial reporting under US GAAP. The resulting unit costs are used for inventory valuation on the balance sheet and for the calculation of the cost of goods sold on the income statement.

Manufacturing costs are typically divided into three categories...
1. Direct materials. This is the cost of the materials which become part of the finished product. For example, the cost of wood is a direct material in the manufacture of wooden furniture.
2. Direct labor. This is the cost of the wages of the individuals who are physically involved in converting raw materials into a finished product. For example, the wages of the person cutting wood into the specified lengths and the wages of the assemblers are direct labor costs in a furniture factory.
3. Factory overhead or manufacturing overhead. Factory overhead refers to all other costs incurred in the manufacturing activity which cannot be directly traced to physical units in an economically feasible way. The wages of the person who inspects the completed furniture and the depreciation on the factory equipment are part of the factory overhead costs. Factory overhead is also described as indirect manufacturing costs.
Deduction for Food Waste

Restaurants, grocers and other businesses that carry food in inventory can deduct the cost of purchasing all of their food supplies like any other ordinary business expense. The business gains the tax deduction as soon as it incurs the expense, regardless of whether the food is sold to a customer or tossed into a dumpster. Because the deduction reduces the business’ taxable income, the total savings depends on at what rate the business is taxed.

Jan 22, 2018
Episode 184- Takoda Madrona: Discussing his new show “Double Blown
 
Takoda was born in Vermont,  went to school in Arizona and Hawaii, and returned to Vermont in 2009. He completed high school in Hawaii and then two years of community college before becoming a full time glassblowing instructor. 
 
     Starting in 2012 he began his journey in glass and continues to this day where he is currently living in Burlington Vermont.  From 2013-2017 Takoda taught beginner and advanced one on one glassblowing lessons, repaired glass, developed production line glass for a small local company, taught others to make said pieces, and took on custom projects. Currently he is no longer teaching but still repairs glass and the occasional custom order.  His teacher  was Dylan Davis who no longer blows glass.  Other than the 20 hours Takoda spent learning from Dylan, he gathered knowledge from watching others work online and at demos along with working with friends. He is fortunate to live in an area with a lot of local talented glass artists who occasionally get together and share each other’s .  
 
You can find Takoda on instagram @TakodaMedrona or on his YouTube channel search Takoda or Double Blown.    He has recently launched a new YouTube show called double blown where he shares tips and tricks as well as discusses topics that impact our community.   I’ve been looking forward to this chat since reaching out to Takoda when I was tagged in a post for his new show.   His pendant work is amazing and has a southwest Indian Look with his intricate patterns and use of colors in his fillachellos.   He has a turtorial on his YouTube channel sharing his process of this technique.   A few topics I wanna cover with him is the origin of his name as it is his really name.  Also how in the hell does one work as a glass artists in the winter if you’re not below the snow belt. 
 
 
    Some quick house keeping....
 
If you’d like to financially contribute to the show and become a "WyzAss" all you have to do is follow the patreon link and for as little as a dollar a month you can join an exclusive group that are helping grow the show.   All proceeds go directly back into the shows budget which will help make the show even better with upgraded equipment, off set current expenses and future travel to trade shows and events that I’ll be able to cover to give you a first person perspective of the ins and outs of the current trade show scene.    Soon there will be an exclusive bonus for any WyzAss that becomes a contributor of 5.00 a month or more.    
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You can also help the show by using our amazon link by going to WyzGuyMedia.com/support  Each purchase through this link won’t cost you any more money but tells amazon you suppoRT the show and then in turn THEY contribute a small percentage of your purchase to the show  
 
Don’t forget to subscribe to the show whether you use iTunes, stitcher or google play.  Or you can listen directly from the website at WyzGuyMedia.com/184
 
Any reviews left on iTunes is greatly appreciated and shows iTunes that the show is going strong and moves it up in rankings which exposes the show to a broader audience and gives outsider an inside perspective of how amazing this community is...
 
Hope you enjoy this chat with takoda madrona as I know it’s going to be insightful and fun 
 
Love you bunches. Happy Melting and Have a Wyz Day!! ..  
 
HUGE THANKS TO JOE SKAR FOR THE BUMPER MUSIC THAT TAKES US INTO THE INTERVIEW. THIS SONG WAS CREATED USING ONLY SOUNDS CREATED IN HIS STUDIO.
GO GIVE JOE A LOOW ON INSTAGRAM @SKARGLASS AND CHECK HIS INTERVIEW WE DID ON EPISODE 85!!  
 
 
Jan 12, 2018

Episode 183- J.D. Maplesden returns to discuss his film  "Vagabong:The American Pipe Dream"

Follow the journey of J.D. Maplesden as he shares the stories and passion of an ever growing community of glass artists pushing the boundries of the glass pipe.

https://vimeo.com/ondemand/vagabong/248534498

 

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Become a member of the podcast community by supporting the show via Patreon. For as little as $1.00/month you can become a "WyzAss" by contributing to the show. All revenue paid via Patreon will go directly to helping cover expenses of the podcast as well as help me afford to be able to travel to the tradeshows, events, and artist studios which in turn will bring more content to the show. Follow the link below to sign up and become a WyzAss....  https://www.patreon.com/Wyzguyradio

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Jan 7, 2018

Hey everyone. Wanted to touch base and say hello and kick off the new year. Stay tuned for upcoming shows and announcements, as well as don’t forget to check out our sponsors.
For any comments or questions hit me up at info@wyzguymedia.com
Happy melting and will talk soon!

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